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It’s difficult not to draw comparisons to HBO’s Game of Thrones, in fact, which also dragged audiences along for a journey that seemed entirely hopeless at times and seemed to revel in its own depravity. What’s conspicuously absent from the season, however, is any of the self-aware comedy that made all of the gory violence, dark themes, and cynical perspective on humanity the show offered actually, well… tolerable. The parallels with recent events don’t end there, either, with the Black Lives Matter movement, right-wing disinformation campaigns, and even a parody of the infamous NXIVM sex cult all finding their way into the season-long story arc. Their war seemed to reach a grisly stalemate at the end of the show’s second season but ignites again in season 3 as Homelander becomes a Donald Trump-like figure, stoking racist nationalism in order to feed his insatiable ego and consolidate his power. Over the course of the series’ first two seasons, audiences have watched mild-mannered Hughie (Jack Quaid) join the covert team led by William Butcher (Karl Urban) and engage in a high-stakes battle with Homelander (Antony Starr), the sadistic, Superman-like leader of the world’s most popular superhero team.
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The series title refers to a small, secret group of agents who attempt to police the “supes” - whether by gathering blackmail material or dishing out brutal - and occasionally, lethal - punishment for their crimes.
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Created by a war-profiteering corporation and free to indulge in any manner of behavior as long as they don’t hurt the company’s stock price, the super-powered characters in The Boys rape, kill, maim, and steal, all under the management of a PR team that has turned them into global celebrities.
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Season 3 of The Boys dispenses with all of that, though, and delivers the darkest, most grueling, and emotionally punishing chapter of the series so far, without any indication that a cathartic conclusion is anywhere on the horizon.ĭeveloped for TV by Eric Kripke ( Supernatural) and based on the comic book series of the same name by Garth Ennis and Darick Robertson, The Boys is set in a world where superheroes are not only real, but rarely heroes. Over the course of the series’ first two gory seasons, it softened all of that bleakness with plenty of humor and a sort of surreal quality that distanced what we see on the screen from reality. In the modern TV era, shows like Game of Thrones and Breaking Bad have pushed the boundaries of how much suffering we’re willing to watch characters endure, with varying results.Īmazon Studios’ The Boys has followed a similar path, ratcheting up the sense of peril around its human and super-powered protagonists with each season, and putting them through all manner of trauma, both physical and emotional, inflicted on both themselves and their loved ones. There’s an unspoken agreement between the show and its fans that, at some point, all of the dangers the characters have faced and the losses they’ve incurred along the way will receive some accounting at the end of their ordeal - offering a cathartic resolution to everyone involved on both sides of the screen.
The typical formula for television dramas is to raise the stakes with each season, pitting the series’ protagonists against increasingly potent threats that rise from the ashes of prior seasons’ triumphs.